Robin Bright Science Fiction Critic



Robin Bright (Robin Usher) is a science fiction critic, who wrote 'Jungian Archetypes in the work of Robert A. Heinlein' as his PhD thesis at Hull University in 1992, and which appeared as Self-Begetting, Self-Devouring: Jungian Archetypes in the Fiction of Robert A. Heinlein, Milford Series, Popular Writers Of Today # 70, Borgo Press, San Barnardino, California, USA, 1997, before being rewritten as Self Begetting Ouroboros: The Science Fiction of Robert A. Heinlein, Lambert Academic Publishing, December 2018. His articles include, 'Robert A. Heinlein: Theologist?' in the British Journal Of Science Fiction: Foundation, 1992, (54), pp. 70-86, `Male And Female He Created Them Both: Beyond The Archetypes`, in the British Journal Of Science Fiction: Foundation, 2011, (112), pp. 27-39, `The Reservoir Dogs and Sad Dam Who`s Sane: An Essay From A Constructionalist Point Of View`, 1KM1KT, One Thousand Monkeys, One Thousand Typewriters, Friday, September 30, 2011, http://www.1km1kt.net/articles/the-reservoir-dogs-and-sad-dam-whos-sane`, Help! I Can`t Breed!` in John Thiel (ed.) Surprising Stories, Oort Cloud Publications, VacHume Press, September 2013, # 33, http://surprisingstories.dcwi.com/breed.htm, `Dropping In With Starship Troopers: An Outing For Robert A. Heinlein`, January 2014, # 34, http://surprisingstories.thiels.us/SSV34/droppingin.htm , May 2014, # 36, `SF Music and Heinlein: Hot Gossip featuring Sarah Brightman`s Starship Trooper and Britney Spears` Oops! ... I Did It Again`, http://surprisingstories.thiels.us/SSV35/hotgossip.html, `Attacob!`, http://surprisingstories.thiels.us/SSV35/Attacob.htm, September 2014, #36 [37], `20th Century Foxhole`, http://surprisingstories.thiels.us/SSV37/Twentieth.htm , January 2015, #37,`Ra Boats, Row Boats and Robots, Part One`, http://surprisingstories.thiels.us/SSV37/RaBoats.htm. May 2015, #38,`Ra Boats, Row Boats and Robots, Part Two`, http://surprisingstories.thiels.us/SSV38/RaBoat2.htm, `Invasion Of The Body Snatchers`, http://surprisingstories.thiels.us/SSV39/Snatches.htm, September 2015, #39, `My Kindergartner Has Crayons` in Write The Forum, http://www.sfwa.org/ , The Official Membership Newsletter of the Science Fiction and Fantasy Writers of America (SFWA), Fall, 2013, # 226, p.14, `Science Is An Academic Discipline` in Write The Forum, Fall, 2014, # 230, p.12, `I Will Fear No Evil` in Sadler, Thomas D. (ed.) The Reluctant Famulus, September/October 2014, # 101, p. 25-29, http://efanzines.com/Reluctant/ReluctantFamulus-101.pdf ,`The Guts Of Starship Troopers` in The Reluctant Famulus, November/December 2015, # 108, p.27-32, http://efanzines.com/Reluctant/ReluctantFamulus-108.pdf , `7 of 9` in Page, Jerry and Shelby Vick (eds.), Planetary Stories # 35, March, 2015, http://www.planetarystories.com/7of9.html , `Elephant War` in Charles Rector (ed.) Fornax, February 2016, # 8, pp. 11-19, http://efanzines.com/Fornax/Fornax-08.pdf, `Robert A. Heinlein`s Starship Troopers And Spider Parachutes` in Fornax, May 2016, # 9, pp. 2-10, http://efanzines.com/Fornax/Fornax-09.pdf , `When A WASP Lays Its Eggs In A Spider` in Fornax, July, 2016, # 10, pp. 3-7, http://efanzines.com/Fornax/Fornax-10.pdf, `Heinlein`s Pedophiles` in Fornax # 11, August, 2016, pp. 2-10, http://efanzines.com/Fornax/Fornax-11.pdf, `You Will Cease To Exist If You Don`t Accept Woman`s Seed` in Fornax # 12, The WOW! Signal Issue, pp. 4-9, http://www.efanzines.com/Fornax/Fornax-12.pdf`, `Sarah Michelle Gellar and Buffy the Vampire Slayer’s Stake in Woman` in Fornax Unlucky 13: The Halloween Issue, Friday 14th, 2016, http://www.efanzines.com/Fornax/Fornax-13.pdf, `Smile Like Evil Robots` in Fornax # 14, January 2017, http://www.efanzines.com/Fornax/Fornax-14.pdf, `Hercules` Harley` in Fornax # 15, February, 2017, http://www.efanzines.com/Fornax/Fornax-15.pdf , `The Dolls House Lacked A National Vocational Qualification`, and `Black Holes` in Fornax # 16, http://www.efanzines.com/Fornax/Fornax-16.pdf , `Eating Its Foot And Standing On Its Food` in Fornax # 17, April 2017, http://www.efanzines.com/Fornax/Fornax-17.pdf , `Parasitoid Criticism` in Fornax # 18, May, 2017, http://www.efanzines.com/Fornax/Fornax-18.pdf , `Eyes See Bug Eyed Monsters (ICBMS)` in Fornax # 19, June, 2017, http://www.efanzines.com/Fornax/Fornax-19.pdf , `Puzzle The Mule` in Fornax 20th, September, 2017, http://www.efanzines.com/Fornax/Fornax-20.pdf, `Traditional British and American Horror of Horrors` and `Death Race 2000` in Fornax Halloween 2017: The Unnumbered Horror, October 2017, http://efanzines.com/Fornax/FornaxHalloween2017.pdf, `Hercules the Terminator` in Fornax # 21, March, 2018, http://www.efanzines.com/Fornax/Fornax-21.pdf , `The Perfume Affair`, `The Bright Observation`, `Humanly Erect`, and `Speeder Man` in Fornax # 22, May, 2018, http://www.efanzines.com/Fornax/Fornax-22.pdf , 'The Starship Allah', Fornax # 23, July, 2018, http://efanzines.com/Fornax/Fornax-23.pdf , 'King Kong And Babylon' in Fornax Halloween 2018 Issue: The Unnumbered Horror, http://efanzines.com/Fornax/FornaxHalloween2018.pdf , 'Grief, Carrie Fisher and The Fisher King' in Fornax # 24, March 2019, http://efanzines.com/Fornax/Fornax-24.pdf , `Barefoot In The Park` in Charles Rector (ed.) Fornax, June 2019, # 25, pp. 81-89, http://efanzines.com/Fornax/Fornax-25.pdf , `The Old Oil Lamp War` in Lisa and Joseph Major (eds.) Alexiad, Vol. 15, # 3 (87), June 2016, p. 4-6, http://www.efanzines.com/Alexiad/Alexiad087P.pdf , `PG 13` in Page, Jerry and Shelby Vick (eds.), Planetary Stories # 37, October, 2016,

http://www.planetarystories.com/PG13.html, `Fascistoid` in John Purcell (ed.) Askance, Vol, 9, # 3 (38), October 2016, pp. 12-16, http://www.efanzines.com/Prior/index.htm , `Human Species Eaten By Alien Thinking Donald Trump Is A Good Looking Woman` in John Purcell (ed.) Askance, Vol. 10, # 2 (41), July 2017, pp. 19-24, http://efanzines.com/Prior/Askance41.pdf, 'A Nape, Beheaded' in John Purcell (ed.) Askance, October 2017, Vol. 10, # 3 (42), pp. 12-18, http://www.efanzines.com/Prior/Askance42.pdf , 'The Purge: Coprophile Criticism' (pp 1-4) and 'C'mon You Apes' (pp. 4-6) in New Lamps for Old! # 1, The Official Organ of the e-APA # 175, November 2018, http://efanzines.com/eapa/index.htm , 'People Are Food' (pp 1-5), and 'The Thin King, The Prince of Darkness, and The Glass Slipper for Cinders' Foot' (pp 5-7) in New Lamps for Old! # 2, The Official Organ of the e-APA # 176, December 2018, 'New Lamps For Old' (pp 1-14) in New Lamps For Old! # 3, The Official Organ of the e-APA # 177, January 2019, 'Britney Spears' 'Oops! ... I Did It Again', Supermarionation, and Thunderbirds (pp. 1-6), 'Appealing To The judge, Or To The Church' (pp. 6-10), and 'Calling All Girls' (pp. ) in New Lamps For Old! # 4, The Official Organ of the e-ApA # 178, february 20019, 'The Mysterious Identity Of The Austrian Who Wants To Watch

Moslem TV' (pp 1-5), 'Not Fade Away' (p.5), and 'Bug Eyed Monsters' (pp 5-10) in New Lamps for Old! # 5, The Official Organ of the e-APA # 179, March 2019, 'Led Zeppelin' (pp 1-6), 'American Humor' (pp 6-25) in New Lamps for Old! # 6, The Official Organ of the e-APA # 180, April 2019, 'The Akh Jesus' (pp 1-4), 'It's Only Arachnid Roll' (pp 4-10) in New Lamps for Old! # 7, The Official Organ of the e-APA # 181, May 2019, ‘Qerash Rather Than Kerrang!’ (1-8), ‘Oedipus Is A Carnivore Watching Its Foot’ (8-14), and ‘Why Did God Destroy Sodom?' (14-21) in New Lamps for Old! # 8, The Official Organ of the e-APA # 182, June 2019, ‘Womanizer’ (1-7), ‘Podkayne`s Eon Economics and Britney Spears` `Oops I Did It Again`’ (7-14), ‘Lady Gaga Works Like A Trojan But For The T-Cells It’s A Bad Romance’ (14-18), and ‘The Grim Reproduction and the Future of Production' (18-24) in New Lamps for Old! # 9, The Official Organ of the e-APA # 183, July 2019, ‘No Sex Please We’re Aliens’ (1-10), ‘Malien Psychology’ (10-16), ‘That Britney Is Coming’ (16-27), and ‘Homosexuals Aren`t Women’ (27-41) in New Lamps For Old #10, The Official Organ of the e-APA # 184, August 2019, ‘I Want To Look Like A Woman And Get All The Chicks’ (1-10), and ‘Mommy’s Little Girl Still Waiting In The Car Park’ (10-21) in New Lamps For Old #11, The Official Organ of the e-APA # 185, September 2019, ‘Ghost Rider’ (1-7), ‘You Will Cease To Exist If You Don`t Accept Woman`s Seed’ (7-13), ‘Jesus Didn`t Have Any Knights With A Woman Because The Program Was For Male Robots’ (13-19) in New Lamps For Old # 12, The Official Organ of the e-APA # 186, October 2019, 'It's A Britney Spears' PieFilm’ (1-13),’The Number Of The Beast Is The Number Of A Manufacturer’ (12-19), ‘If Music Be The Foot Of Love Play On’ (19-32),’One Foot In The Grave’ (32-45) in New lamps For Old # 13, The Official Organ of the e-APA # 187, November 2019, 'Plague Aims Weren`t Jesus` (1-13), ’Star Trek: The Good Kirk and The Noggered Kirk’ (13-29), ‘Mars` Barbarella, Jane Fonda and Britney Spears` Oops I Did It Again: The Washing Machine and The Camera’ (29-35),’ Dr Who and the Chair Legs, Britney Spears` `Stronger` and Robert A. Heinlein`s `Gay Deciever`’ (35-55) in New lamps For Old # 14, The Official Organ of the e-APA # 188, December 2019, Starfleet Eastern,'The thirteenth Star Trek movie was released in 2016, Star Trek Beyond, which continued a series of film releases based on the Star Trek (1966-69) television series with a cast that supplied most of the crew of the starship Enterprise in the first movie of the franchise, Star Trek: The Motion Picture (1979), also starring new crew member, shaven headed Persis Khambatta, 1965's Miss India, as Lieutenant Ilia. From what transpires in the plot of the movie, the feminine name, `Ilia`, probably derives from the Greek poet Homer`s Ilium, that is, the city of Troy, as depicted in his poetic narrative of the siege of the Trojan city by the Greeks in his Iliad (760-10 B.C.), so Lieutenant Ilia represents the threat to civilization, culture and art posed by the alien, which is usually extrapolated in science fiction as invading Earth from the planets amongst the stars above. However, as the siege of Troy illustrates, the huge hollow wooden horse that the Greeks leave outside Troy, and that is taken in by the Trojans to where the Greeks emerge to capture the city and enslave the host wombs of the women for homosexuality in pederasty, is the Greek `model' forthe spread of war.' JustFiction! Edition, January 25, 2019, pp. 264. Starfleet Eastern II, 'The immortal machine robot Data, from Star Trek: The Next Generation, is the dream of the human who needs to be cared for as much as humans need the technology of rejuvenation and medical science to prolong life in longevity, but the spirit must be harnessed if such high objectives are to be realized, `I am superior, sir, in many ways. But I would gladly give it up to be human.' Data is a better human because he`s a better machine or robot, but the male oriented fiction demands that Jesus` teachings be understood as human sacrifice, and so Data asks to die, because Star Trek writers represent the false perspective that the physical body isn`t heaven bound; despite hundreds of TOS scenes featuring the transporter of the starship Enterprise teleporting humans from planets to take them through galaxies to other planets, `Mister Spock, the Captain, Lieutenant Uhura, and Chekov. they vanished. They got onto the transporter platform and they just vanished.' Just Fiction! Edition, January 30, 2019, pp 252. Starfleet Eastern III, 'Although it`s a question not usually thought of as being germane to human civilization, culture and art, Christianity ought to ask: what is the Satanist manifesto? Starfleet III is aimed at Christians, and like-minded people, who’re concerned about the future of space exploration, and colonization of the planets amongst the stars of heaven above the Earth where US’ President Ronald ’Ray Gun’ Reagan on March 23, 1982, proposed the Strategic Defense Initiative (SDI), which was called 'Star Wars' after the 1977 movie describing resistance to an evil Empire’s building of a ’Death Star’ to orbit and kill ’rebel’ planets. If the starships of Star Trek (1965-) in the United States of America`s long-running series of science fiction television shows and movie franchise about the adventures of humanity in Starfleet as a part of the United Federation of Planets, in a cosmos in which the people of Earth have expanded outward from their star, Sol, and colonized the solar system and the rest of the universe and beyond, held a planet like an apple and ate it, that`d be what Satanism is. Does the Earth want this?', JustFiction! Edition, February 6, 2019. All You Want To Know About Britney Spears, 'The single great eye of the spaceman's visor was the most idolized image of America in the 20th century, and Britney Spears' appearance in her video 'Oops! ... I Did It Again' is preceded by her spaceman's discovering a miniature cameo picture or icon of her in the sand, which marks the encounter Christian rather than idolatrous, because such icons are acceptable if spiritually meaningful. Descending inside her giant's ring at the beginning of the video, Britney represents the marriage of Venus Aphrodite; 'the pearl of great price' of the Bible: 'woman's seed' pearl: 'Again, the kingdom of heaven is like a merchant in search of fine pearls; on finding one pearl of great value, he went and sold all that he had and bought it.' (Matt: 13. 45-6) In terms of ’seed’ pearls, music listeners need look no further than Spears’ symbolic lyrics and video imagery to find wisdom.' JustFiction! Edition, February 15, 2019, All You Want To Know About Britney Spears II, 'Britney Spears` appearance on the cross of Jesus on the cover of the video single for the song, `Piece Of Me`, from the album, Blackout, precedes her songwriters` lyrical description of what her video directors depict as the consequences of the Earth`s acceptance of fascism, which is ultimately Satanical, because it promotes killing for the entertainment of an increasingly non-human parasitoid audience: `You wanna piece of me?` Although the video age was lauded as affording the opportunity to people to own and buy the movies and pop video recordings that they wanted to see repeatedly, recorded film was also the medium of the `snuff` genre, whichwas the recording of real life killings to be shown as entertainment to the parasitoid audience:`Your candle burned out long before your legend ever did.` Elton John`s lyric to `Candle In The Wind` (1973) originally lamented the death of Marilyn Monroe, the Hollywood sex symbol found dead in the nude in 1962. However, it was also used to lament the death of the English Princess, Diana, whose car crashed in the Pont D` Alma tunnel in Paris, France, pursued by paparazzi trying to get a shot in in 1997, JustFiction! Edition, February 2019. All You Want To Know About Britney Spears III, 'G-Eazy is the guest rap artist on Britney Spears`song, `Make Me` (2016), and apart from the explosive lyrics, G-Eazy`s rap references George Jung who, a well-known cocaine dealer, was sentenced to 60 years at Otisville Correctional Facility in Upstate New York, `I crossed an imaginary line with a bunch of plants!` Cocaine was the original `snuff`, now made from ground tobacco. Adolf Hitler, elected leader of the German National Socialist (Nazi) Party, became dictator after the election of 1933, and had chemists make the synthetic drug amphetamine as a cocaine substitute. The history of the Nazi Party`s pogroms against the Jewish 'chosen people' of the Bible, the Jews,suggests connections with illegal `snuff` movies, which are films made of killing, and recorded largely as a form of entertainment to be shown in private cinemas, or on video at home. Since the Empire of ancient Rome built amphitheaters, people have watched others being made to kill each other. G-Eazy raps on 'Make Me', 'I've always wondered what was off limits.' Let's see... JustFiction! Edition, February, 2019. Splurt! is an article splurge on pop culture for those with teeny minds. Splurt! addresses where the school bus has been, and where it's off to. Miley Cyrus, US' dream girl, was Christened Hope and Destiny. Like Britney Spears, Christina Aguilera, whose name’s ‘eagle’ in Spanish, and Beyoncé Knowles’ all-girl group, Destiny`s Child, Miley’s name echoes mythicaly. After the movie, Star Wars: A New Hope IV (1977), and in an era of space-based missiles to knock out ICBMs, while incidentally imprisoning upon Earth anyone wanting to leave without US’ permission, the ’Strategic Defense Initiative’ (SDI) was named ’star wars’ by US’ President Ronald, ‘Ray Gun’, Reagan on March 23, 1982. The film featured a ‘Death Star’ of the evil Empire orbiting planets to killthem, whereas the ‘rebels’, led by Princess Leia, represented US’ Manifest Destiny replacing early Imperial ambitions with the desire to be a colonizer of planets. Splurt! It's out there!, JustFiction! Edition, March 2019, Splurt! II is another article splurge on pop culture for those who keep their minds on the balls. Spurt! II affords the startling observation on Hungarian ghoulash, 'Been soup, and will be soup again.' If German composer Richard Wagner thought that Jews were dwarves, then there's still hope for women to be accepted in society. Splurt! II examines Miley Cyrus' kilt, and asks: 'Is Katy Perry's tongue long enough?' It's going out there, and it's out to overtake.. JustFiction! Edition, June 2019, ''Splurt! III'' is a further article splurge on pop culture for those who want to see it go through the roof; land on the moon, and exit the solar system. ''Spurt! III'' examines the legitimacy of Doctor Who's calls for assistants in the absence of full frontal nudity. Does Buffy The Vampire Slayer represent Sarah Michelle Gellar's stake in women? Is SMG a legitimate LGBT offshoot? Splurt III looks up Paris' skirt as she's getting out of a car with Britney, while listening to 'Stars Are Blind', and wonders how it is that the knickers on the back seat are still visible. It's all gone a bit too far, and it's going to go a lot further still.' JustFiction, June 2019, First Foot, 'Ironing the bugs out of Robert A Heinlein's Starship Troopers (1959), or wondering if Nova has nuts of her own in Planet Of The Apes (1968), First Foot has been there. If it's trying to understand how it is that Peter Parker has enough sense to be seeing Kirsten Dunst, but wants to climb walls like a spider, or whether the black squid headed Bunraku puppeteers in the Kate Bush video for her single release, 'Hammer Horror' (1978), are still invisibly manipulating her, First Foot has something more revealing to contribute. The damned kids are still going cuckoo in Midwich, according to John Wyndham's The Midwich Cuckoos (1957), while Harley Quinn is still persuading everyone that life is worth living to the full with Suicide Squad (2016), and Poe tries to keep a straight face as the blade dips ever lower towards his abs in The Pit and the Pendulum (1961), so leaving First Foot with but a leg to stand on when it comes to having more of an opinion than is meat to the eye.' JustFiction! Edition, July 2019, First Foot II, 'Seeing how far the race will go in Death Race 2000 (1975), or examining trannies and TVs to hear what isn't worth seeing, First Foot is right there. Looking at our 'History and Moral Philosophy' course notes, after a lecture by Lieutenant Colonel Jean V. Dubois (Retired) of Robert A. Heinlein's Starship Troopers (1959), First Foot observes God's prohibitions, and has something else revealing to contribute, 'Thou shalt have no false guards before me.' Is the Hungarian word, 'élelmiszer', which means 'supermarket', suggesting that Heinlein's long-lived almost immortal, because rejuvenated periodically character, Lazarus Long (L.L.), a miser? Would you rather have Katherine Ross as a Stepford wife or Nicole Kidman? First Foot is there to help judge Ira levin. As the Starship Troopers drop ever closer to Klendathu, it's heads up with First Foot II.' JustFiction! Edition, July 2019, First Foot III, 'If Demi has a semi in Beckham, is it a manifestation of Ialdabaoth, the devil-worshiping Mason's demi-urge? First Foot doesn't mind Tolkien Turkey, and asks the question: was Traci Lords of the Rings? It's 12" to the Foot as a rule, and despite Jennifer Aniston's wearing a tie for the cover of January 2009's GQ, it's still not Ted. Looking with retro spectacles at Spice Girls, First Foot said, 'Look at the brains on that!' God goes down like a lead balloon with Led Zeppelin, and Pam Anderson is voted by women as 'The 20th Century's A Bit O' Me'. It's Rock `n` Roll, and First III Foot only stones adulterers it doesn't like. What's Rob Lowe doing on a plane with the 9/11 terrorists, apart from researching his role as Middle Number Two in Goldmember (2002)? All this and more as the Foot's shoe-horned in as it boots up. Why's a plum voiced Englishman hired as a GB proper gander, and the director has 'chippy' Miley Cyrus put in a cage, if 'Can't Be Tamed' (2010) isn't aimed by the KGB? Who ate Madeleine McCann? First III Foot rubber necks with the rest to see if Jo Guest could always see her friends going in and out all the time from where her head was at in the 1970s - and behind ...' JustFiction! Edition, July 2019, Fact and Fiction II, 'Chimps come from AIDS, Fact and Fiction investigates the claim that AIDS came first with men, and that chimpanzees resulted from the contact. Humanity is the victim of a decapitator, Fact and Fiction reports, as women's seed is denied its reproductive valence, so there aren't in fact any humans on the planet Earth, or at least they're outlawed: `And the dragon was wroth with the woman and went to make war with the remnant of her seed.' (Rev: 12. 17) Fact and Fiction examines the concept of Faminism to determine whether women are helping the ball snorting 'beast' of Revelation to keep the human species brainless by starving women's seed of sexual reproduction, so making Faminism the fabled horse of Jesus' disciple John's apocalyptic vision of the future alongside plague, war and death. Pornography's the sign of a race war for survival against an alien slaver. Fact and Fiction examines the absence of women's seed from the picture and tries to get a look at what the alien might be.' JustFiction! Edition, September 2019, Fact and Fiction III, 'Men in short trousers hitting people with an inflated pig's bladder on a stick. Fact and Fiction examines the validity of English cultural traditions in the 21st century. A naked girl in a bed of roses. Looking at Mena Suvari in the movie American Beauty (1999), Fact and Fiction asks the question: 'Is there anything more to life?' In Richard Wagner's opera, Der Ring des Nibelungen (1848-74), the dwarfs were believed by the Germans to be depictions of Jews and children, which explained why the German National Socialist (Nazi) Party killed about 20, 000, 000 of them in the 1930s. They wanted grown-ups. The Levant war: to prevent women from sucking on their own dicks? Fact and Fiction looks at another Marx brother, Zippo, a little known member of the US' comedy team, The Marx Brothers (1905-49), that contained Groucho, Harpo, Chico, Gummo, Zeppo, Leppo, Karl and Di, who was the girl in the films that accused them of stealing her species' organ.' JustFiction! Edition, September 2019, Fact and Fiction IV, 'Oops! Britney Spears in a Dalek romance is why we’re IV. Emmanuel was a name Jesus was known by, so it’s no surprise to discover Sylvia Kristel starring in yet another movie celebrative of celibacy for others. The Roman guard, Longinus, mumbled the words, ‘Surely, this was the snuff guard!’ (Matt: 27. 54) Or at least that’s how it sounded to Fact and Fiction IV, when they watched the movie, The Greatest Story Ever Told (1965), with former US’ superstar actor, now dead John Wayne, who heroically donated his cadaver to medical research on ‘the Big C’, as Billy Vin Longinus. IV listened to the Drac’, ‘Fangs For The Mammaries’, and decided these must have been the jugs that the tattooed vampire wanted to sink its teeth into. Continuing investigating the curious case of the child killed by the Moslem Khidr, ‘the green one’, according to the Koran (610-30 C.E.) because he said it was evil, Fact and Fiction adopts the dangerously anti-Islamic position that the child was probably innocent. It’s why were IV!' JustFiction! Edition, September 2019, I New Christian Truth, `Then Mary took about a pint of pure nard, an expensive perfume: she poured it on Jesus’ feet and wiped his feet with her hair. And the house was filled with the fragrance of the perfume. However, one of his disciples, Judas Iscariot, who was later to betray him, objected, “Why wasn’t this perfume sold and the money given to the poor? It was worth a year’s wages.” He did not say this because he cared about the poor but because he was a thief; as keeper of the money bag, he used to help himself to what was put into it. “Leave her alone,” Jesus replied. “It was intended that she should be saved for the day of my Resurrection and anointed erection. You will always have the poor among you, but you will not always have me .”’ (John: 12. 1-8) JustFiction! Edition, September 2019, New Christian Truth II, The prototypical anti-Christian symbol is the vampire, which legend purportedly began in Eastern Europe`s Wallachia with Prince Vlad Dracul (1431-76/7), who was known as `the impaler`, because of his impaling, on wooden stakes, victims after a battle. Although the legendary draco, Dracula, owes his name to Vlad Dracul in the novel Dracula (1897) by Bram Stoker, the premise of the vampire myth, subsequently perpetrated by novelists and movie makers, is that the vampire is killed by piercing his heart with a wooden stake, whereas impalation was rather the method employed by Vlad Dracul against his victims. Consequently, the legend of the real-life `vampire`, Dracul, contradicts the myth built in fiction, which is that it`s the vampire that`s impaled, whereas it was the vampire, Vlad Dracul of Wallachia, who was the impaler of victims. As it`s the legend that the vampire becomes immortal by drinking the blood of his victims, Eastern European Christianity has confused Salvation, `through the blood of Jesus`, with slaughter, that is, Vlad Dracul is conceived as a Christian, because he lives by killing.' JustFiction! Edition, September 2019, Sickology, 'Although science fiction writers have often depicted the loss of Atlantis, and/or Mu and Lemuria, etc., as resulting from a nuclear war arising from the too rapid advancement of technology, it’s more likely to have been a war to enslave original humanity, that is, the djinn, who were ‘chine technology. Waged by primitives prepared to unleash the power of the atomic bomb in order to achieve their objective, it’s a slave war depicted in the Bible as the destruction of the ‘cities of the plains’, Sodom and Gomorrah (Gen: 19. 24), which were ‘homosexual’, and from which only escaped the family of Lot, a cousin of Isaac, who founded Judaism, and so a cousin too of Isaac’s half-brother, Ishmael, who founded Islam, and whose descendant was the Prophet Mohamed.' JustFiction! Edition, June 2020, Sickology II, 'In Hollywood, district of Los Angeles, 'city of the angels', center of the west's mass media Empire on the US' coast, state of California, the ‘Hays code’ (1933) banned scenes of human sexual reproduction between women forever: `... women, in love scenes, [must] at all times have “at least one foot on the floor” (in other words, no love scenes in bed).' As guitarist Howlin’ Wolf observed in his lyrics to ‘Killing Floor’ (1964), the human footrace is: ‘… down on the killin' floor, yeah.’ Led Zeppelin, the English rock group, agreed with ‘The Lemon Song’ (1969) in which the avowed Satanists plagiarized singer-songwriter Chester Arthur Burnett’s song to celebrate black magician Aleister Crowley’s Thelema religion: ‘I’m going to leave my children down on this killing floor.’ With ‘Trampled Underfoot’ (1975), the Satanist icons of les poseurs with tanks’ Heavy Metal genre triumphed over the human futanarian species of women’s being ‘floored’: ‘Gun down on my gasoline, I believe I'm gonna crack a head.’ Mansions of gory with suicide machines. There's more ... JustFiction! Edition, July 2020, Pop Tits, 'It was Sigmund Freud (1856-1939), ‘the father of psychoanalysis’, that taught women had ‘penis envy’, whereas the truth was that men envied women theirs, which is why they’d smoked it down to the butt. Consequently, the humor in Friends (1994-2004) is often unconsciously, and brutally, racist, and the lines spoken by the women are an unusualperversion; the self-racism of a slaved species: humans, JustFiction! Edition, August 2020, Futa The Gods, 'The fictional premise of Star Trek (1966-) is that the presence of aliens amongst the worlds not of Earth, were accepted. Actor Michael Dorn as Lt. Worf, a male Klingon, for example, is in make-up, and doesn’t give birth to aliens. Consequently, 1965's Femina Miss India beauty contest winner, actress Persis Khambatta, possessed by the alien, V’Ger, in Star Trek: The Motion Picture (1979) represents women being mocked, while trying to make contact with traces of their own futa races. However, men’s alien knows where it came from, which is why women are its pod bods denied knowledge of its futa race’s potential for expanding its role as a dad’s bag. Moreover, women are per se human, because they can fertilize their own host wombs, whereas men devour the contents in war, etc., and don’t have host wombs, that is, it isn’t their fut, whereas women need it to run, or they’re food.' JustFiction! Edition, August 2020, Slave To The Light And The Grail, 'The powers of slavery were considerable. After the discovery by Africa’s DR Congo in 1983, the biblical `blood plague` (Rev: 11. 6), HIV/AIDS, was launched as homosexuality’s biological weapon inspiring fearful faithfulness to the god of monogamy in ring slavery. 9/11 was discernible as ‘rough trade’ at the World Trade Center for the spread of ‘brutality and violence’. While the hijackings at Boston, Logan airport, were attributable to William F. Nolan’s science fiction novel, Logan’s Run (1967), it was black Mass., that is, Satanism was conducting an attack in Massachusetts, and a decade later at the Boston Marathon, on April 15, 2013, the terrorist bombs that disrupted the race were also attributable to Logan’s Run which, made into a movie in 1976, featured the belief that a socio-economic system with scarce resources couldn't run with people over the age of 21, who were 'runners' if they attempted to evade the ‘sandmen’, who killed them. In short, homosexuality made an attempt at the beginning of the 21st century to prevent the human futa race from running.' JustFiction! Edition, August 2020, Sickology 3, 'Although it’s usual to suppose that the simian variant of SIV, that is, HIV, defines the AIDS’ victim as human, for homosexuals it’s a redefinition of the human as simian. Consequently, when in 2002 the source of severe acute respiratory syndrome (SARS) was discovered to be bats in a cave in Yunnan Province, China, after being traced from civet, which is used for musk in perfume, the Covid-19 variant of the coronavirus, reported in December 2019, in China’s Wuhan, capital city of Hubei Province, and that killed upwards of half a million people globally, by June 2020, was a redefinition of people as bats and civet, that

is, men were vampire bats, and women were its perfume.' JustFiction! Edition, August 2020, The Envy Cue, 'In a particularly noxious piece of writing, Arthur Seyss-Inquart, who fought for the Austro-Hungarian Empire in support of Germany in World War One (1914-18), and became Chancellor of Austria during the Anschluss of 1938 in which, annexed by invasion of the Wehrmacht (army), Austria became a German province, Ostmark, at the outset of World War Two (1939-45), while Seyss-Inquart afterwards became Reichsstatthalter (governor) of the German occupied Netherlands, and as he there oversaw the extermination of Dutch Jews and other minorities, in US' science fiction writer Philip K. Dick’s alternative history in which the Nazis won WWII, The Man In The High Castle (1962), Seyss-Inquart oversees the extermination of the peoples of Africa, and their skulls are used as bowls for the devouring of their brains.' JustFiction! Edition, December 2020, Star Trek: Discovery, The Klingon War, 'Lt. Paul Stamets who, as its homosexual navigator, during instantaneous jumps across the unimaginable gulfs of space, interfaces with the USS Discovery’s spore drive, in Episode 5, Season 1, ‘Choose Your Pain’, moved away from his mirror, while being regarded by his mirror image from the rear, so communicating to TV watchers that the homosexual Stamets behind is always, and that although the Klingons represent AIDS in universe prime, Klingons with Vulcans are the slaves of the Terran Empire in the mirrorverse, that is, as homosexuals cling on to their full cans, AIDS is a tool of the enslaver.' JustFiction! Edition, January 2021, Star Trek: Discovery 2, Red Angel, 'Having the crew of the Discovery regularly jumped by Stamets is just the tip of the iceberg for Starfleet, which has an Olympic class of research ships, like Old Earth’s Titanic was a member of the Olympic class of ocean going liner, launched in 1912, and sunk on its maiden voyage, while crossing the Atlantic from Southampton to New York on April 15th, after being hit by an iceberg, Starfleet had the NCC Corona, for example, an echo of the name of the severe acute respiratory syndrome (SARS) coronavirus, launched in China’s Wuhan city, Hubei Province, in December 2019, which killed almost a million people globally by September 2020. Starfleet, primarily for American dads, and their sons, rather than women, who don’t want AIDS, but do want suns, and planets, as their species is for the colonization of the universe, men are their virus, rather embarrassing for the race for the stars, because misogyny’s persecution of women has concomitantly weakened the strain for humanity’s collective breaths.' JustFiction! Edition, January 2021, Sir Balin'sThe Song Remains The Same, 'In the movie, The Song Remains The Same (1976), Robert Plant emerges from a motorized longboat, with the flag of the Welsh, as much Arthurian myth is found in their Mabinogion (c.1350-1410), a book containing the earliest prose stories in British history. With his sword, symbolic of the paganism of Norse mythology, Plant disembarks, as a representative bard, in sympathy with ‘Immigrant Song’, as Vikings invaded, and remained, becoming later generations of Britons, but also with Scandinavia’s 13th century Edda, a written text recording a much earlier hypnotic oral tradition, which wasn’t Arthurian Christianity, but did rely on a similarly expert tongue’s lilting sounds to program an audience enthralled. Bonham called his sticks ‘trees’, and in Norse mythology, Thor, with his hammer, mjölnir, was ‘the hammer of the gods’, that is, god of lightning, thunder, storms, sacred groves, and trees. The lilting hypnotic lyrics of Led Zeppelin’s pastorale, ‘Immigrant Song’, were hammered in by Bonham’s ‘trees’, which weren’t the nailing of the coffin of Viking paganism, but rather the hammering of the band into Satanism’s ‘eternal unendurable pain’, which is God’s punishment for the evil.' JustFiction! Edition, April 2014, 'Television's Towering Silence', The Magazine of History and Fiction # 2, https://magazineoftheoldwest.neocities.org/page14.html, Spring, 2019, 'Khidr Was A Scientist, Moses Was A Believer', The Magazine of History and Fiction # 3, https://magazineoftheoldwest.neocities.org/page33.html , Summer, 2019. Why SF is 4 Children, 'The World Space Patrol wasn’t there to defend the World Trade Centre on 9/11. 2001. Of course, Colonel Steve Zodiac of the WSP’s Fireball XL5 would have been there to defend the world if he could, but science fiction is for children, rather than against. In Episode 11 of the ‘Supermarionation’ puppet TV series, Fireball XL5 (1962-3), created by English husband and wife team of animators, Gerry and Sylvia Anderson, and filmed by their Century 21 Productions for distribution by ITC Entertainment, Steve Zodiac, piloting XL5 in the year 2062, is an electronic marionette, called a ‘doll’ in the United States of America, with mouth movements synchronized to voice actor Paul Maxwell’s pre-recorded dialogue, was looking for the missing XL2 in ‘Space Monster’, aired January 6th, 1963. As Century 21’s was a style of production suited to ‘the events of 9/11’, that is, large scale, small budget, disaster movies in which models were destroyed to provide the backdrop for a theatre of puppet actors speaking lines already written for them by forces they couldn’t control, XL2’s absence from the 9/11 picture, as production code # 9 of 11 episodes, that is, 9/11, was significant.' JustFiction! Edition, May 2021.