'Out of this World' Vol. 2, # 4, 1993, and 'Ride!' she said' (1996), Risqué magazine, UK. In Hungarian translation, ‘Sas’ in Oszirisz Országa [in English, ‘Special Angel Service’ in Land of Osiris], Cherubion Press, Debrecen, Hungary, 1996, pp.184-91, `Bevezetés a Valhallába’ in Universzum Örokösei [‘Valhalla for Starters’ in Inheritors of the Universe], Cherubion Press, 1996, pp. 143-7, ‘Fegyverforgatás Mestere’ in A Galaxisz Császara [`Master Arms Practitioner’ in Emperor of the Galaxy], Cherubion Press, 1997, pp.281-6, http://www.cherubion.hu/ . 'Well, it was like this doc...' at Ruthie's Club, a story of alien abduction, March 2009, and 'All For Naught Orphan Ufonaut' in Shelter of Daylight, Sam's Dot Publishing (2010). `Love Bugs`, 1KM1KT, One Thousand Monkeys, One Thousand Typewriters, http://www.1km1kt.net/fiction/love-bugs , Thursday, June 9, 2011, and `Deus Ex Machina`in John Thiel (ed.) Surprising Stories, Oort Cloud Publications, VacHume Press, September 2013, # 33, http://surprisingstories.dcwi.com/deus.htm , `Galactic Guardian: Twenty First Century Schizoid Man`, January 2014, # 34, http://surprisingstories.thiels.us/SSV34/galactic.htm , the play, `The House That MAP Built`, January 2016, # 40, http://surprisingstories.thiels.us/SSV40/HouseMap.htm , the play `Mobile Armoured Personnel`, May 2016, # 41, http://surprisingstories.thiels.us/SSV41/Mobile.htm , the play `Valhalla For Starters`, September 2016, # 42, http://surprisingstories.thiels.us/SSV42/valhalla.html , the play `MAP II: Deus Ex Machina`, January 2017, # 43, http://surprisingstories.thiels.us/SSV43/DeusExMachina.htm, `Her Killers`, May 2018, # 47, http://surprisingstories.thiels.us/SSV47/HERKILLERS.htm , `Apple 2` in Charles Rector (ed.) Fornax # 14, January 2017, http://efanzines.com/Fornax/Fornax-14.pdf , `Killed By An Idiot And Its Son` Fornax # 15, February 2017, http://efanzines.com/Fornax/Fornax-15.pdf , `Idiots From The Planet Idiom`, Fornax # 17, April 2017, http://efanzines.com/Fornax/Fornax-17.pdf , `The Last Tramp`, Fornax # 18, May 2017, http://efanzines.com/Fornax/Fornax-18.pdf, `An Eyeless Brainless Creature That Can’t Breed`, Fornax # 19, June 2017, http://efanzines.com/Fornax/Fornax-19.pdf , `R Spynes Amanga`, Fornax 20th, September 2017, http://efanzines.com/Fornax/Fornax-20.pdf, `The Worship Of The Evil Things`, Fornax Halloween 2017: The Unnumbered Horror, October 2017, http://efanzines.com/Fornax/FornaxHalloween2017.pdf , `Doom Laden`, Fornax # 21, March 2018, http://efanzines.com/Fornax/Fornax-21.pdf , `The Age Of Kibla Khan`, Fornax # 22, May 2018, http://efanzines.com/Fornax/Fornax-22.pdf, 'The Soup Insiders', Fornax # 23, July 2018, Heavy Adze On TV: A Manga Babes Adventure, 'The Japanese Manga Authority`s (JAM) response was to make some opposition. Positing that Heavy Adze was a dangerous criminal virus identical with the `serpent`s seed` of men that had inveigled its way into the host womb of the human species` futanarian race of women with her own penis` semen to steal her `seed` and enslave and devour her as her alien parasite, JAM concluded that the Holy Spirit Jesus said would teach after him was also a character in the plot, so they created R Spynes Amanga as the Holy Spirit of the JAM in the image of Eve ..,' JustFiction Edition, March 29, 2018, 68 pp, 'Flesh Fiction` in Ray Palm (ed.) Ray X X-Rayer #142, November 8, 2018, http://efanzines.com/Fornax/Fornax-23.pdf , 'No Heir Apparently' (p. 5), in New Lamps for Old! # 5, The Official Organ of the e-APA # 179, March 2019, Killed By An Idiot And Its Son: A Play, 'High above the city of New Coala Coco. The symbols of the city pan out before the eyes of the audience. The Twin Coala Coco Towers in the shape of two classic Coala Coco bottles, Coala Coco Light, and Coala Coco Zero, and the company headquarters (CCHQ) in the form of a classic Coala Coco can with squiggly straw attached; serving as a satellite broadcasting and receiving telecommunications` mast. The open air public bathing facilities, with the Coala Coco logo visible at the bottom on the marble in the still cool waters of the early evening, and surrounded by beach umbrellas in the Coala Coco colors` insignia awaiting tomorrows` residents and local inhabitants` poolside cavortings at the Coala Coco hotel, which is an iconoclast`s dream shaped like a `real thing` drink. Poolside attendant: `Coala Coco is it!` The huge modern art exhibit in the center of the city of New Coala Coco is a Coala Coco ring pull. Tho` slightly bent, as if recently discarded, it nevertheless takes center stage in platinum and gold. Opposite the icon is the Coala Coco Exhibition Center (CCEC) where the event is to transpire which will change the course of human history.' JustFiction! Edition, November 27, 2018, 112 pp, Supramazonic: A Play Almost In Japanese, 'The flame-haired symbol of a she-devil appeared in connection with some innocuous brand of cosmetics and, seconds later, the Doc, observing a car with the number FON 2, raised two fingers, giving a V-for-victory sign to the driver, then reversed the signal in that time-honored Delta-of-Venus gesture suggesting readiness for sex. The creature inside the vehicle couldn't readily be described as ass human. For the thing had no hair and scaly skin of a greenish hue. Leering expansively and using thumb and forefinger, it pointed in the direction of a medieval church some four hundred meters away. Dr Lu spins on hir heel and makes off at a fast clip towards the not-too-distant crenelated rectangle outlined in darkness against the darkening sky ..,' JustFiction! Edition, January 2, 2019, R Spynes Amanga: A Play, 'Outside The Olfactory Ass Spines Manga Babe Movie Company Studios at Long Beach, California, West Coast of the United States of America. Irish production manager, R Smell O`Vision, keeps on glancing fitfully at his watch as the new science fiction canon begins to emerge from the processing apertures of his portable My Little Eye Film Lab. He`s talking like he`s empowered by the Holy Spirit to convince others of his mission. It`s as if he already knows the huge numbers of converts his ambition can be relied upon to make his. He speaks as if to a huge throng even tho` there`s no one there, or as is the case here, a single interlocutor, R Cell O` Vision, Irish productions` manager at Ass Spines Manga Babe in charge of `phone sales', JustFiction! Edition, January 4, 2019, 161 pp. Taken Up By The Raptor: A Play, 'The footsteps cease at the door and a figure can be seen outlined through the frosted glass panel. The handle turns and the woman walks in. Rob disappears behind a wall of jars and tubes; he can be heard at intervals, shuffling about, running water into sinks, generally keeping himself out of harm's way. MAP, on the other hand, seems merely to adjust his loose stance by the bench in order to confront his uninvited guest, 'Pat Horner! What brings you to this neck of the woods?' There are images from nature of slugs with salt on their tails curling up in his mind as Pat moves past him; the clicking of her heels making it impossible to concentrate. Map holds his head in his hands visibly trying to concentrate. It`s as if someone is dragging their nails across a chalk board, and indeed the audience hears the sound and sees the horrendous image of a woman`s nails dragging screaming notes from a chalk board as she drags her fingernails down.' JustFiction! Edition, January 25, 2019. Deus Ex Machina: A Play, The forms of the aliens are revealed amidst the alien artifacts, working and communicating, while the WASP Dictatorship idyll of genetically engineered superbeings are depicted in typically fascist scenes with beachballs and swimming pools familiar from the 1930s. MAP and Evie are physically very close indeed to the appearance of the alien life forms; implying that the aliens are in fact more human than the WASPs: 'The rising self-esteem of the Asian nations - due largely to the success of the trade-wars waged by the Sino-Nippon technopolies - had led them to reject the West's cultural hegemony. However, the rest of the world's women were still fashion victims, succumbing to fetishistic decadence, becoming slavish followers of the cult of the stiletto-teetering arse-pouter.' JustFiction! Edition, February 15, 2019, 'It's a 1970s school playground at an English Comprehensive with concrete and white paint indicating where basketball and soccer equipment can be used. The schoolchildren are busily plaguing each other while a small knot of more knowing adult seeming youths gather together in a tight band and begin chanting, `We won the war in nineteen fifty-four.` One of the boys tries to make a correction, `Shouldn't that be nineteen forty-five? Nazi Germany was defeated in 1945, wasn`t it? The Second World War? Nineteen thirty-nine to nineteen forty-five?' The chant goes on, and on with little or no variation. The smallest boy in the playground knew a different story, but he wasn't telling. Instead, he cast his mind back to a time before, a time when he'd been safe and happy, a place in which he'd been cared for by tall blonde men and women who one day told him he was going to a place called Earth.' JustFiction! Edition, February 20, 2019, Little Red Riding And Robin - Hoods: A Play, 'Little Red Riding Hood is carrying her wicker basket along the forest's winding path to grandma's house. She`s so called because of the cape she always wears, clasped at her throat by a golden brooch, made by mountain elves and cast in the shape of a dragon with what isn`t totally obvious to an objective scrutiny its penis in its mouth and that, as one looks at it, grins back and winks conspiratorially.' JustFiction! Ediiton, March 2019.